Part 6 Louvre – Египет (2 век) -- Фаюмский погребальный женский портрет
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Фаюмские портреты — созданные в технике энкаустики погребальные портреты в Римском Египте I—III веков н. э. Своё название получили по месту первой крупной находки в Фаюмском оазисе в 1887 году британской экспедицией во главе с Флиндерсом Питри (Википедия)
Название " Посмертный портрет Фаюмы" звучит так, как будто Фаюма – женское имя. Фаюм – оазис.
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Here we see a youthful face, characterized by prominent eyebrows arched slightly above large, dark eyes. The nose is straight and well-defined, leading down to full lips parted in a subtle expression. Skin tones are rendered with considerable nuance, suggesting an understanding of light and shadow to create depth and volume. A slight blush graces her cheeks, contributing to the impression of vitality.
The hair is styled in a manner consistent with contemporary fashion – dark, neatly arranged, and pulled back from the face. It appears relatively simple, though the texture suggests careful grooming. The woman wears elaborate jewelry: prominent earrings dangle from her lobes, and an ornate necklace dominates the lower portion of the composition. This necklace, rendered in gold and featuring intricate detailing, is a significant element, likely indicative of status or wealth. A central medallion within the necklace draws particular attention, its design adding to the overall richness of the piece.
The artist’s technique involves a layering of pigments that create a sense of luminosity. The use of highlights on the skin and jewelry suggests an attempt to capture not just likeness but also a certain idealized beauty.
Subtly, the portrait conveys notions of status, piety, and remembrance. Given its context – likely as part of a funerary assemblage – it is probable that this was intended to serve as a visual representation of the deceased for her family and those who would mourn her. The careful rendering of features suggests an effort to preserve her image for posterity, allowing her identity to endure beyond physical death. The jewelry may also signify her social standing within the community. The direct gaze could be interpreted as a connection between the living and the departed, offering solace or remembrance.