Part 6 Louvre – Липпи, Филиппино (1457 Прато - 1504 Флоренция) -- Мадонна с Младенцем и ангелами (Мадонна с гранатом)
80х55
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The woman, draped in a vibrant red garment beneath a flowing blue mantle, holds the child close to her chest. Her gaze is directed downwards, conveying a quiet contemplation or perhaps sorrowful awareness of future events. The child, rendered with meticulous detail, appears robust and alert, his expression suggesting both innocence and nascent intelligence.
Two angels flank the maternal figure on the left side of the composition. One angel looks directly at the viewer, while the other gazes towards the central figures. They are adorned in elaborate garments and their poses suggest a reverent participation in the scene. A vase filled with lilies stands near the gazing angel, adding to the overall sense of purity and grace.
The background is characterized by a landscape visible through an arched opening within the architectural niche. The perspective is somewhat flattened, typical of early Renaissance painting, but it provides a suggestion of depth and expands the visual field beyond the immediate setting. The light source appears to originate from the left, illuminating the figures and creating subtle gradations in tone across their drapery.
Subtleties within the work suggest layers of meaning beyond the surface narrative. The pomegranate held by one of the angels is a significant detail; it traditionally symbolizes resurrection and eternal life, hinting at Christ’s sacrifice and redemption. The architectural setting, while seemingly simple, evokes a sense of sacred space, reinforcing the devotional nature of the scene. The womans downcast gaze might be interpreted as an expression of maternal concern or prophetic understanding of her son’s destiny. Overall, the painting conveys a profound sense of piety, tenderness, and spiritual significance through its carefully orchestrated composition, delicate rendering of form, and symbolic details.