Goya y Lucientes, Francisco Jose de – Ferdinand Guillemardet (1765-1809), Ambassadeur de France en Espagne (1798-1800) Canvas, 186 x 124 cm MI 697 Part 2 Louvre

Here we observe a formal portrait depicting a man seated in what appears to be a domestic interior. The subject is positioned slightly off-center, facing towards the viewers left with a direct gaze that conveys both authority and a certain guardedness. He wears a dark green military coat, meticulously rendered with attention to the play of light on the fabric’s texture. A white shirt collar peeks out from beneath the coat, and a black cravat is neatly tied at his throat. The details of his attire – the elaborate sash across his chest adorned with medals and ribbons, the polished boots – underscore his status and position within a hierarchical system.
The artist has placed him in front of a table draped with a golden cloth, upon which rests an array of objects: a writing set including inkwell and quill, alongside what appears to be a small decorative item or emblem. These items suggest intellect, diplomacy, and perhaps the burdens of official correspondence. A feathered hat is casually positioned on the table beside him, adding a touch of relaxed elegance to the scene.
The background is deliberately subdued – a dark, indistinct space that focuses attention entirely on the figure. The lighting is dramatic, with strong contrasts between light and shadow emphasizing the contours of his face and body. This chiaroscuro effect contributes to an overall sense of solemnity and gravitas.
Subtleties within the composition hint at a complex narrative. While the subject’s posture suggests composure, theres a slight tension in his shoulders and a tightness around his mouth that might indicate underlying anxieties or burdens associated with his role. The dark background could be interpreted as symbolic of the political climate of the time – a period marked by uncertainty and potential conflict. The seemingly casual placement of the hat on the table may suggest a desire to project an image of accessibility despite holding a position of considerable power. Ultimately, the painting presents not merely a likeness but also a carefully constructed representation of a man navigating the complexities of diplomacy and authority within a turbulent era.