Part 2 Louvre – Jean Fouquet -- Coronation of Alexander, from Histoire ancienne jusqu’à César et Faits des Romains
1470th. 45х34
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Here we see a deliberate use of color to distinguish the figures. The crowned individual wears gold and crimson robes, signifying power and authority. Those presenting the crown are clad in deep blues and reds, suggesting their subordinate status while still maintaining an air of dignity. The background is rendered with a simplified architectural structure – a building facade with windows and crenellations – painted in muted tones that do not distract from the central action.
The artist has employed a hierarchical scale; Alexander appears larger than those around him, reinforcing his elevated position. Facial expressions are somewhat stylized but convey reverence and submission on the part of the kneeling figures. The details of their garments – the folds and textures – are rendered with considerable care, indicating an attention to material richness and visual complexity.
The surrounding text frames the image, providing narrative context. Its presence suggests that this is not merely a decorative element but rather an integral component of a larger illustrated manuscript. The script itself, carefully executed in a formal hand, contributes to the overall sense of solemnity and importance associated with the depicted event.
Subtly, theres a suggestion of continuity between earthly power and divine sanction. The architectural setting, while seemingly secular, evokes a sense of grandeur that might be interpreted as mirroring heavenly realms. The act of coronation itself implies a transfer not only of political authority but also perhaps of a divinely ordained mandate.