Jean-Étienne Liotard – Monsieur Levett and Mademoiselle Glavni in Turkish costume Part 2 Louvre

The composition presents two figures seated on elaborate cushions within what appears to be a domestic interior. A woman is positioned to the left, holding and playing a stringed instrument – likely a lute or oud – while a man sits opposite her, gesturing towards the instrument with his right hand. Both are adorned in richly detailed costumes suggestive of Ottoman or Turkish attire. The man wears a tall cylindrical hat, a voluminous blue coat trimmed with fur, and carries a walking stick; the woman’s ensemble includes a white blouse, an embroidered vest, and a patterned skirt.
The setting itself is equally significant. The cushions are covered in a vibrant floral pattern, echoing on a smaller scale in the rug beneath them. A small, ornate box sits between the figures, and a slender object – perhaps a decorative rod or pointer – rests on the floor near it. The background is muted, a greyish-green wall that serves to highlight the vivid colors of the costumes and furnishings.
The arrangement suggests a moment of leisure and cultural exchange. The man’s gesture could be interpreted as an encouragement for the womans musical performance or perhaps a demonstration of proper technique. There is a sense of formality, conveyed through their posture and attire, yet also a degree of intimacy in their proximity.
Subtleties within the painting hint at broader cultural narratives. The depiction of individuals in Oriental dress was a common motif during this period, often employed to signify exoticism or refinement. However, here we see not merely costumed figures but people engaged in an activity – music – that implies a deeper connection with the culture they represent. The meticulous rendering of fabrics and textures underscores a fascination with foreign materials and craftsmanship.
The overall effect is one of carefully constructed display, where the individuals are presented as both representatives of their cultural heritage and participants in a shared moment of artistic appreciation. It’s a portrait that speaks to the complexities of cross-cultural encounters and the evolving role of visual representation in shaping perceptions of the Other.