Delacroix, Eugene – Medee furieuse-Wrathful Medea, 1862 Canvas, 122, 5 x 84, 5 cm R.F. 1402 Part 2 Louvre

Here we observe a dramatic portrayal of a female figure consumed by intense emotion. The composition is dominated by her central presence; she occupies nearly the entire vertical space, conveying a sense of overwhelming power and turmoil. Her posture is dynamic – leaning forward with an almost violent energy – suggesting both agitation and intent. A cascade of dark hair frames her face, partially obscuring it while simultaneously contributing to the overall feeling of unrestrained passion.
The artist has chosen a palette largely composed of deep browns, blacks, and muted greens, creating a somber and oppressive atmosphere. The limited use of color draws attention to the flesh tones of the woman’s exposed skin and the vibrant red accents in her drapery, which serve as visual focal points amidst the darkness. These splashes of red seem to symbolize rage or perhaps spilled blood, further amplifying the scenes intensity.
Two smaller figures flank the central figure. They appear childlike, their expressions a mixture of fear and distress. The woman holds one close, while the other reaches out with an uncertain gesture. Their presence introduces a layer of complexity; they are likely dependents, victims potentially, adding weight to the emotional burden carried by the woman.
The background is indistinct, rendered in broad strokes that suggest a rocky or cavernous setting. A hint of foliage can be discerned on the left side, but it’s largely swallowed by the darkness, contributing to the sense of isolation and confinement. The lack of clear spatial definition reinforces the focus on the emotional drama unfolding within the foreground.
Subtexts embedded in this work revolve around themes of maternal fury, betrayal, and vengeance. The womans expression – a combination of anguish and determination – hints at a profound internal conflict. Her actions suggest a willingness to inflict harm, possibly as an act of retribution or despair. The inclusion of the smaller figures implies that her rage extends beyond herself, impacting those closest to her. There is a palpable sense of impending tragedy, suggesting that the moment captured is one of irreversible action. The overall effect is one of raw emotional power and unsettling psychological depth.