Part 2 Louvre – Nicolas Poussin -- Plague of Ashdod (Philistines Stricken by Plague)
c.1631, 148х198
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The artist employed a restrained palette, primarily utilizing earth tones – ochres, browns, and grays – which contribute to the somber atmosphere. Highlights of white are used sparingly on the skin of the afflicted, emphasizing their pallor and vulnerability against the darker background. The light source appears diffused, casting long shadows that further amplify the feeling of despair.
Architectural elements frame the scene: a monumental Corinthian column stands prominently on the left, its presence suggesting a once-orderly society now disrupted by calamity. Beyond this, classical buildings with porticoes and statues are visible, hinting at a civilization steeped in tradition and grandeur, now facing ruin. A figure is positioned within an upper window of one building, seemingly observing the unfolding tragedy from a position of relative safety or detachment.
The figures themselves display a range of emotional responses. Some appear to be actively tending to the sick, while others are frozen in expressions of fear and bewilderment. A central male figure, clad in simple robes, gestures emphatically, perhaps attempting to offer solace or explanation amidst the confusion. The presence of children – one being carried by an adult, another lying helpless on the ground – heightens the tragedy, underscoring the indiscriminate nature of the affliction.
The arrangement of figures and their poses create a dynamic flow across the canvas, guiding the viewers eye from one area of suffering to another. The overall effect is not merely a depiction of physical illness but also an exploration of societal breakdown, faith tested by adversity, and the fragility of human existence in the face of overwhelming forces. The scene evokes themes of divine retribution or punishment, suggesting that this devastation may be a consequence of actions taken against a higher power.