Wang Ke Yin – CSCU aping 2k3 wang ke yin 042
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a cluster of slender, vertical forms – likely stylized trees or bamboo stalks – occupying the left side of the painting. These are rendered in muted tones, their surfaces suggesting texture through subtle variations in shading. They appear to be partially obscuring a dense growth of broad-leafed plants situated closer to the foreground. Amongst these leaves, several small birds are depicted in flight, adding a sense of movement and vitality to the otherwise tranquil scene.
The artist placed large, white blossoms – possibly lotus or water lilies – in the middle ground, their forms echoing the circularity of the moon above. These blooms appear almost ethereal against the darker backdrop, contributing to an overall atmosphere of serenity and quiet contemplation.
The color palette is restrained, primarily consisting of whites, grays, blacks, and subtle greens. This limited range reinforces the nocturnal setting and contributes to a sense of understated elegance. The brushwork appears delicate and controlled, suggesting a meticulous attention to detail.
Subtly, the arrangement of elements suggests a layered perspective, drawing the viewers eye from the foreground foliage towards the luminous moon. The birds’ presence introduces an element of dynamism that prevents the scene from feeling static or overly formal. The overall effect is one of harmonious balance and quiet beauty, evoking themes of nature, solitude, and perhaps even spiritual reflection.