Georg Engelhard Schröder (After) – Fredrik I (1676-1751), Ulrika Eleonora dy (1688-1741), Sofia Charlotta Karolina (1678-1749)
1727.
Location: National Museum (Nationalmuseum), Stockholm.
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The women are similarly adorned in opulent gowns and headdresses. The woman on the left wears a blue gown with a white fur-trimmed cloak draped over her shoulders, while the one on the right is dressed in yellow. Their expressions are reserved, conveying an air of dignity and composure expected within this social context. Both women extend their hands towards the central figure, suggesting a connection or dependence upon him.
The background is dark and indistinct, with heavy draperies partially obscuring what might be architectural details. A decorative tassel hangs from the upper right corner, adding a touch of ornamentation to the otherwise somber setting. The lighting is soft and diffused, highlighting the faces and garments of the subjects while minimizing any sense of depth or spatial recession.
Subtly, the painting conveys themes of lineage, authority, and familial relationships. The arrangement suggests a hierarchical structure, with the man positioned as the dominant figure. The women’s gestures imply their subordinate roles within this power dynamic. The overall effect is one of controlled formality and restrained emotion, characteristic of portraiture intended to project an image of status and legitimacy. The artists focus on detail in the clothing and jewelry underscores the importance of material wealth as a marker of social standing.