Georg Engelhard Schröder – Allegory of the Four Estates
1734.
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left, a young girl sits perched atop a large volume, presumably representing learning or knowledge. Her gaze is directed outward, suggesting an innocence or perhaps a nascent awareness of the world beyond her immediate surroundings. Adjacent to her stands a woman who appears to be the focal point of the scene. She wears a crown and holds a scepter in one hand and what seems to be scales in the other – symbols traditionally associated with authority, justice, and governance. Her expression is solemn, conveying a sense of responsibility and perhaps even burden.
On the right side of the painting, two figures are positioned. One woman, dressed in simple attire, carries a basket overflowing with fruits and vegetables. This figure likely embodies the working class or peasantry – the producers of sustenance for society. The other woman stands beside her, clad in blue, and appears to be observing the scene with an air of quiet contemplation.
The arrangement of these figures implies a layered system of social order. The girl representing knowledge supports the central figure who wields authority; she is dependent on the foundation of learning. The working woman provides for all, while the contemplative figure seems to observe and perhaps judge this established hierarchy.
Subtly, the painting hints at themes beyond mere representation of societal classes. The scales held by the central figure suggest a need for balance and fairness within the system. The presence of knowledge – represented by the book – implies that education is crucial for maintaining order and legitimacy. The overall effect is one of controlled formality, suggesting an attempt to legitimize or perhaps critique the existing social structure through allegorical representation.