Part 3 – Joos van Cleve (1485-1540) - Triptych with the Adoration of the Magi
c.1520. 69x22, 72x52, 69x22
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left, a female figure stands in profile, clad in flowing garments of pale yellow and gold. She holds a staff, which she leans upon, suggesting a posture of contemplation or perhaps a symbolic representation of authority. Her gaze is directed towards the central group, her expression one of gentle observation. The landscape behind her features a slender tree reaching upwards, its form echoing the verticality of the figure’s stance and potentially symbolizing growth or aspiration.
On the right side, another female figure stands in a similar pose to that on the left, but dressed in vibrant red robes. Her hair is elaborately styled, adorned with jewels, and she holds what appears to be a small object – perhaps a symbolic offering – in her hands. The background here mirrors the landscape of the left panel, reinforcing a sense of symmetry and balance within the overall design.
The central group displays a hierarchy of figures. The maternal figure is positioned prominently, her blue robes contrasting with the earth tones of the surrounding architecture. She cradles the infant, who appears to be the focal point of attention. Surrounding them are several male figures, each presenting gifts or engaging in gestures that suggest homage and adoration. Their attire varies considerably, indicating diverse origins and social standing. One figure is richly adorned in purple and gold, while another wears a more modest brown garment with elaborate beard ornamentation.
The architectural setting is noteworthy for its complexity. The arcade’s arches create a sense of depth and perspective, drawing the viewers eye towards the distant landscape. A statue stands atop one of the arches, overlooking the scene below – its presence adding an element of classical grandeur and perhaps suggesting divine oversight.
Subtleties within the painting suggest layers of meaning beyond the immediate depiction of adoration. The inclusion of diverse figures from different cultures hints at a universal message of acceptance and reverence. The architectural setting, with its blend of classical and Renaissance elements, may symbolize the integration of ancient wisdom into Christian belief. The landscape itself – a combination of rugged terrain and cultivated fields – could represent the interplay between nature and civilization, or perhaps the challenges and rewards of faith. The overall effect is one of solemnity, grandeur, and a profound sense of spiritual significance.