Part 3 – Maso di Banco (before1300-after1353) - Maria with the child
1335-36. 81x49
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The artist depicted the woman draped in flowing garments – a pale pink underdress visible beneath a dark green cloak that falls in heavy folds. The fabric’s texture is suggested through linear detailing, though without an attempt at realistic rendering. Her left hand extends towards the viewer in a gesture of offering or blessing. Above her head, a six-pointed star shines brightly, signifying divinity and spiritual significance.
The infant held by the woman appears chubby and serene, with a similar stylized quality to his mother’s features. He is swaddled in golden fabric, mirroring the halo above. The positioning of the child – held close to the womans chest – conveys tenderness and maternal protection.
The painting’s color palette is restrained, dominated by earthy tones of pink, green, gold, and brown, with the dark background providing a stark contrast that draws attention to the central figures. The gilded frame contributes to an overall sense of reverence and sacredness.
Subtly, theres a feeling of formality and distance conveyed through the stiff poses and lack of naturalistic detail. This suggests a focus on conveying spiritual meaning rather than portraying realistic human interaction. The deliberate flatness of the composition and the limited use of perspective further reinforce this emphasis on symbolic representation over illusionistic depth. The work seems intended to evoke contemplation and piety, presenting an idealized image of motherhood and divine grace within a framework of established religious iconography.