Part 3 – Januarius Zick (1730-1797) - Moses and Brazen serpent
c.1750. 68x85
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The most striking element is the elevated serpent, its form rendered in sinuous curves and metallic sheen. It hangs suspended above the afflicted man, its body appearing to emanate a faint luminescence that cuts through the surrounding darkness. The artist has employed chiaroscuro – a dramatic contrast of light and shadow – to heighten the emotional intensity and direct the viewers gaze towards the serpent and the central interaction.
The palette is dominated by earthy tones – browns, greens, and ochres – which contribute to a sense of solemnity and antiquity. The limited color range reinforces the gravity of the depicted event. Light falls selectively upon key figures and objects, emphasizing their significance within the narrative. The man’s pale skin contrasts sharply with the darker surroundings, drawing attention to his suffering.
Beyond the literal depiction of an encounter, the painting suggests themes of faith, healing, and divine intervention. The serpent, traditionally a symbol of temptation and evil, is presented here as an instrument of salvation. The gesture of the older man implies guidance and authority, while the afflicted man’s posture conveys both desperation and hope. The obscured figure to the right introduces a sense of witness and perhaps, shared vulnerability.
The overall effect is one of quiet drama, inviting contemplation on the nature of suffering and the possibility of redemption through faith. The artist has skillfully used light, shadow, and composition to create a scene that resonates with both narrative clarity and emotional depth.