Part 3 – Luca Giordano (1634-1705) - St. Michael
c.1663. 198x147
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The celestial figure’s attire contributes to his elevated status. The flowing drapery, rendered in rich hues of blue and pink, contrasts sharply with the earthy tones dominating the lower portion of the painting. Large, feathered wings extend from his back, emphasizing his otherworldly nature and suggesting a capacity for effortless flight. His face is youthful and resolute, conveying an expression of unwavering determination.
Below him, a tangle of figures writhe in apparent agony and defeat. Their bodies are contorted into unnatural positions, their faces twisted in expressions of pain and terror. The artist has employed a palette of browns, reds, and ochres to depict these beings, evoking a sense of decay and earthly suffering. The varying degrees of light and shadow across their forms enhance the impression of physical struggle and torment.
The use of chiaroscuro is particularly striking; the intense contrast between light and dark amplifies the drama and emphasizes the spiritual dichotomy at play. Light illuminates the celestial figure, highlighting his purity and strength, while plunging the fallen beings into shadow, symbolizing their descent from grace. The darkness also serves to obscure some details, creating a sense of mystery and suggesting an unseen realm beyond the immediate conflict.
The overall effect is one of overwhelming power and righteous triumph. The painting seems to explore themes of good versus evil, divine intervention, and the consequences of transgression. It’s likely intended to inspire awe and reinforce beliefs about spiritual authority and redemption through struggle.