Part 3 – Marinus van Reymerswaele (c.1493-c.1567) - St. Jerome in his cell
c.1545. 94x91
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The composition presents a figure immersed in contemplation within a confined space, likely intended as a study or cell. The man is centrally positioned, his posture suggesting deep thought and perhaps melancholy. He leans heavily on his arm, resting his head upon it, while his gaze is directed downwards towards an open book placed prominently on a stand before him. His age is emphasized by the extensive white beard and furrowed brow, conveying wisdom but also hinting at weariness or regret. The vibrant red of his cloak provides a striking contrast to the muted tones of the surrounding environment and draws immediate attention to his presence.
The setting itself is meticulously detailed. Shelves overflowing with books line the walls, indicating a dedication to scholarship and learning. A wooden ladder leans against one wall, suggesting access to higher shelves and further emphasizing the abundance of textual material. The light source appears to originate from an unseen window to the left, casting shadows that deepen the sense of enclosure and introspection.
Several symbolic objects are incorporated into the scene. A human skull rests on the table near the open book, a memento mori reminding the viewer of mortality and the fleeting nature of earthly pursuits. An inkwell and quill lie nearby, tools of his trade as a scholar and translator. A small crucifix is visible in the background, subtly referencing his faith and the spiritual dimension of his work. The presence of an open book, illuminated by the light, suggests both intellectual engagement and perhaps a struggle with its contents.
The artist’s attention to texture is notable; the rough grain of the wood, the softness of the beard, and the sheen of the metalwork are all rendered with considerable skill. This meticulous detail contributes to the overall sense of realism and invites close observation. The arrangement of objects creates a visual narrative that speaks to themes of faith, learning, mortality, and contemplation – a complex interplay of intellectual and spiritual concerns within a solitary setting.