Ke Da Wang – CSA aping WangKeDa 064
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Behind the immediate waterline, a bank rises gently, covered with a mix of grasses and low-lying shrubs rendered in warm yellows and oranges. A thicket of trees forms the backdrop, their trunks appearing dark and somewhat indistinct, contributing to an overall sense of enclosure and depth. The light source seems to originate from the left side of the frame, casting highlights on certain branches and illuminating patches of snow visible amongst the debris.
The artist’s technique emphasizes a loose, expressive style. Brushstrokes are visible throughout, particularly in the depiction of foliage and water reflections. This approach lends a sense of immediacy and spontaneity to the scene, suggesting an observation made quickly and captured with energetic application of paint. The color palette is restrained but effective; earthy tones – browns, yellows, greens – prevail, punctuated by the occasional flash of white from snow or reflected light.
Subtly, the painting evokes themes of decay and renewal. The fallen branches suggest a disruption of natural order, while the presence of water and potential for regrowth implies an ongoing cycle of transformation. The mirroring effect in the water introduces a layer of ambiguity; it blurs the distinction between reality and reflection, hinting at the transient nature of perception. The overall impression is one of quiet contemplation, inviting the viewer to consider the interplay between destruction and persistence within a natural setting.
The inscription beneath the image, written in Chinese characters, provides contextual information regarding the work’s title and potentially its origin or inspiration.