Francois Pascal Simon Gerard – Charles-Andre (1764-1832) Count Pozzo di Borgo
1824 oil on canvas
Location: Palace of Versailles (Château de Versailles), Paris.
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His clothing is meticulously rendered: a dark green military coat adorned with elaborate gold epaulettes and numerous medals and decorations across the chest, secured by a vibrant red sash. White breeches extend to tall black riding boots. The details in the rendering of the fabric – the sheen on the leather, the texture of the wool – demonstrate considerable skill.
The background is loosely painted, suggesting depth through atmospheric perspective. A hazy landscape stretches into the distance, with indistinct buildings and a muted sky. This treatment directs attention to the figure himself, emphasizing his prominence within the composition. The foliage surrounding him contributes to an impression of natural grandeur, subtly reinforcing notions of status and power.
The man’s expression is composed; he gazes directly at the viewer with a measured look that suggests intelligence and self-assurance. Theres a slight softening around the eyes, hinting at a more complex personality beneath the formal presentation.
Lying on the ground near his feet are military accoutrements – a helmet and what appears to be a sword or saber – further emphasizing his martial identity. These objects aren’t actively held but are presented as symbolic attributes of his rank and experience.
Subtextually, the painting conveys themes of nobility, military service, and perhaps even a sense of contemplative reflection. The relaxed pose, combined with the formal attire and displayed honors, suggests a man who is both powerful and comfortable in his position. The landscape background implies connection to land and dominion, while the carefully rendered details speak to an appreciation for refinement and tradition. Overall, the work aims to portray not just a likeness but also a character – a man of substance and standing within a hierarchical society.