Louvre – Giulio Romano - Triumph of Titus and Vespasian, c
1537.
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COMMENTS: 1 Ответы
Что-то излишне скромно. Почитайте "Иудейскую войну" Фейхтвангера, там подробно расписана вся церемония.
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To the left, an angel descends from above, offering what appears to be a laurel wreath or similar symbol of victory. This figure introduces a celestial element, suggesting divine sanction for the events depicted. Adjacent to the chariot, several figures in elaborate Roman attire are visible; their expressions range from solemnity to apparent joy, reflecting the multifaceted nature of triumph – a mixture of celebration and remembrance.
The central group surrounding the oxen is particularly compelling. A figure clad in blue appears to be actively guiding or controlling the animals, while another, draped in yellow-gold fabric, gestures towards the procession with an air of authority. The interaction between these figures suggests a hierarchical structure within the triumphal entourage.
Behind the immediate foreground action, the landscape opens up, revealing a distant city bathed in a cool, diffused light. This backdrop provides spatial depth and reinforces the sense of grandeur associated with Roman power and dominion. A column on the right side frames part of the scene, adding architectural solidity to the composition.
Subtleties within the painting hint at deeper meanings beyond the surface narrative. The inclusion of an angel suggests a divine mandate for imperial rule, aligning earthly authority with celestial approval. The crowded arrangement of figures and the intense expressions convey not only celebration but also the weight of responsibility borne by those in power. The distant city, rendered in muted tones, might symbolize the vastness of the empire and the challenges inherent in maintaining control over such a sprawling territory. Overall, the work conveys a sense of imperial authority, divine favor, and the complex emotions associated with victory and conquest.