HEY JAN, FORMERLY CALLED MASTER OF MOULIN – Alleged portrait of Madeleine of Burgundy from St. Madeleine Louvre (Paris)

The composition presents two female figures set against a backdrop divided into deep red and dark green planes. The figure on the left is draped in a black habit, its hood falling dramatically over one shoulder, obscuring much of her face. Her hands are clasped in what appears to be an attitude of supplication or reverence, directed towards the woman standing beside her. A gesture with one hand near her mouth suggests she is speaking, perhaps whispering or confessing. The fabric of her habit displays subtle gold embroidery along the edges, hinting at a degree of status despite the apparent austerity of her attire.
The second figure, positioned to the right, is more elaborately dressed. She wears a green gown with a rich red underlayer visible at the neckline and sleeves. A delicate white veil frames her face, adorned with an intricate headdress of gold fabric. Her expression is serene, almost detached, as she holds a small, cylindrical vessel in both hands. The light catches the surface of this container, highlighting its smooth texture and suggesting it might be made of precious material like alabaster or silver.
The artist’s use of color contributes significantly to the paintings narrative. The somber black of the habit contrasts sharply with the vibrant green and gold of the other woman’s garments, visually separating them while simultaneously drawing attention to their interaction. The red backdrop creates a sense of depth and drama, intensifying the emotional weight of the scene.
Subtleties in posture and gesture suggest a complex relationship between the two women. The figure in black seems to be seeking something from the other – perhaps forgiveness, guidance, or understanding. The woman holding the vessel appears to embody a position of authority or sanctity, her calm demeanor suggesting wisdom or divine grace. The object she holds is central to the narrative; its significance remains ambiguous without further context, but it likely represents an important element in the story being depicted – perhaps a relic, a symbol of purity, or a container holding something precious.
The overall impression is one of quiet drama and spiritual contemplation. The artist has skillfully employed color, light, and gesture to create a scene that invites interpretation and encourages reflection on themes of faith, repentance, and divine mercy.