Paul-Esprit-Charles de Boulogne (1758–1838), Le comte de Nogent, son of the intendant des Finances Francois-Hubert Drouais (1727-1775)

The portrait presents a young boy in a three-quarter pose within an oval format. He is positioned slightly off-center, gazing directly at the viewer with an expression that suggests both confidence and a touch of youthful innocence. The composition is framed by a dark background which emphasizes the figure’s luminosity and draws attention to his attire and surroundings.
The boys clothing is particularly noteworthy. He wears a pale pink silk coat, intricately detailed with white lace cuffs and jabot. This garment signifies wealth and status, indicative of belonging to an elite social class. The coat’s cut and embellishments are characteristic of late 18th-century fashion, suggesting a specific historical context. A ring adorns his finger, further reinforcing the impression of privilege.
The presence of roses is significant. He appears to be interacting with a flowering bush, gently touching one of the blooms. Roses have long been associated with themes of beauty, love, and nobility; their inclusion here likely serves as an allegorical element, subtly suggesting virtuous qualities or familial connections. The abundance of foliage creates a sense of natural abundance and prosperity.
A small box rests at his feet, partially obscured by the roses. Upon closer inspection, it appears to contain papers or documents, hinting at administrative responsibilities or perhaps alluding to the boy’s future role within the structures of power – a subtle suggestion that he is destined for a position of importance.
The lighting in the painting is soft and diffused, creating a flattering effect on the boys features. The artist has skillfully rendered the textures of the silk, lace, and foliage, demonstrating technical mastery. The overall impression conveyed is one of youthful promise, aristocratic lineage, and an assured place within the established order.