1920 Danseuse assise (Olga Picasso) Pablo Picasso (1881-1973) Period of creation: 1919-1930

Here we observe a seated female figure, rendered in pastel on paper. The subject appears to be a dancer, identifiable by her ballet slippers and the suggestion of a theatrical costume. She is positioned on what seems to be a simple stool or chair, angled slightly towards the viewer. Her posture conveys a sense of weariness or contemplation; one leg is drawn up, the foot resting near the knee, while the other extends forward in a relaxed manner.
The artist employed a limited palette dominated by earthy tones – ochres, browns, and creams – with accents of blue and red highlighting certain areas of the figure’s attire and skin. The application of pastel is visible; strokes are evident, contributing to the works textural quality. Lines are not consistently defined, instead appearing as suggestions rather than precise delineations, which lends a sense of fluidity and movement despite her seated position.
The background is indistinct, composed of muted tones that seem to fade into the paper itself. A faint horizontal line near the bottom suggests a possible stage or backdrop, further reinforcing the dancer’s profession. The overall effect is one of quiet introspection.
Subtleties within the composition hint at deeper meanings. The figures gaze is directed downwards, away from the viewer, suggesting an internal focus rather than outward engagement. Her posture implies a moment of respite after performance, or perhaps a period of reflection on her art. The limited color range and simplified forms contribute to a feeling of melancholy or understated elegance. It’s possible that the artist intended to convey not just the physical appearance of the dancer but also an emotional state – a sense of solitude and quiet dignity within the demanding world of performance.