The Madonna gives the scapular to Saint Simon Stock in the presence of Saints Catherine of Siena and Gregory the Great and of the client Father Zaccaria Bergomelli Talpino (Enea Salmeggia) (1558-1626)

The composition is structured around a central, hierarchical arrangement of figures within a layered space. The upper portion depicts a celestial scene dominated by a female figure, presumably divine in nature, surrounded by swirling clouds and angelic beings. She extends her arm downwards towards a male figure clad in monastic robes who raises his hands in what appears to be an act of receiving or supplication. This interaction is the focal point, bathed in a golden light that emphasizes its significance. The presence of additional figures – two saints positioned on either side – further reinforces the solemnity and importance of this exchange.
Below this elevated scene lies a darker, more chaotic area populated by numerous individuals. These figures are rendered with less detail and appear to be engaged in various activities, some seemingly distressed or suffering. A group of monks is visible among them, along with another figure dressed in elaborate ecclesiastical garments. The contrast between the serene upper realm and the troubled lower one creates a distinct visual dichotomy.
The artist employs a dramatic use of light and shadow to enhance the emotional impact of the scene. The golden illumination emanating from the divine figure highlights her importance while simultaneously casting the lower figures into relative darkness, suggesting a spiritual divide or consequence. The color palette is similarly divided: warm tones dominate the upper portion, symbolizing divinity and grace, whereas cooler, earthier colors characterize the lower section, evoking suffering and earthly concerns.
Subtly, the painting seems to convey themes of divine intervention, salvation, and the importance of faith. The act of transference – the giving of an object from the divine figure to the supplicant – likely symbolizes a bestowal of grace or protection. The presence of the suffering figures below could be interpreted as representing humanity in need of redemption, while the monks might represent those who seek solace and guidance through religious devotion. The inclusion of the individual dressed in yellow robes suggests a patron or benefactor, possibly indicating the commissioning of this work to commemorate a specific event or dedication. Overall, the painting presents a complex narrative that blends spiritual aspiration with earthly realities.