Fra Angelico – 9 Cortona Polyptych, predella - The death of St Dominic, St Thomas Aquinas
Location: Diocesan Museum (Museo Diocesano), Cortona.
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The artist has employed a limited palette, primarily consisting of deep blues, browns, and creams, which contributes to the overall somber mood. The architectural backdrop is rendered with a degree of realism, featuring arched windows and a visible sky line, suggesting an interior space opening onto an exterior view. This juxtaposition of interior and exterior spaces may symbolize the transition between earthly life and the divine realm.
To the right of the central scene, within a separate, gilded niche, stands another figure in ecclesiastical attire. He is positioned against a golden background, which emphasizes his spiritual significance and sets him apart from the group engaged in mourning. His posture suggests contemplation or perhaps intercession on behalf of the deceased. A halo encircles his head, further reinforcing his sanctity.
The arrangement of figures and their gestures suggest a narrative sequence. The individuals surrounding the central figure appear to be paying respects, while the standing figure in the niche seems to observe or participate from a distance. This separation may imply a hierarchical structure within the religious order or represent different stages of spiritual understanding.
Subtly, the painting explores themes of mortality, faith, and communal devotion. The depiction of grief is not overtly emotional but rather restrained and dignified, reflecting the values of monastic life. The architectural setting provides a sense of order and stability amidst the scene of loss, suggesting that even in death, there is solace to be found within the framework of religious belief. The contrast between the earthly realm of mourning and the spiritual realm represented by the figure in the niche underscores the promise of eternal life and divine grace.