Fra Angelico – 28 Christ carrying the Cross
165x146
Location: National museum of San Marco, Florence (Museo Nazionale di San Marco).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the figure’s left stands a woman draped in muted grey robes; her posture conveys grief and helplessness. She is positioned at a distance, emphasizing her role as a witness to the unfolding tragedy. A halo encircles her head, indicating her significance within the narrative. Similarly, a man on the right, clad in dark monastic attire, kneels in apparent supplication before the central figure. He extends his hands towards the cross, and an open book lies at his feet – a symbol of faith and devotion. His halo also marks him as a person of spiritual importance.
The landscape behind these figures is rendered with a simplified, almost abstract quality. The terrain consists of undulating hills or low mountains, painted in earthy tones that contribute to the overall atmosphere of desolation. The lack of detailed naturalistic elements directs focus towards the human drama unfolding in the foreground.
Subtleties within the painting suggest deeper layers of meaning. The circular format evokes a sense of completeness and eternity, hinting at the cyclical nature of suffering and redemption. The positioning of the figures – the woman’s distance, the monks kneeling posture – implies a hierarchy of roles: witness, supplicant, and sufferer. The open book held by the monk could be interpreted as an invitation to contemplation or a symbolic representation of divine guidance in times of hardship. The muted color palette reinforces the somber mood, while the halos serve as visual cues for spiritual significance within this moment of profound human suffering.