Fra Angelico – 09. Massacre of the Innocents
Location: National museum of San Marco, Florence (Museo Nazionale di San Marco).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The victims are clustered towards the center and foreground. The artist has portrayed them as vulnerable and defenseless, their bodies contorted in postures of fear and pain. A mother, clad in vibrant red robes, desperately attempts to shield her child, her face etched with anguish. Several figures react to the unfolding tragedy; some cover their faces in horror, while others appear paralyzed by shock. The range of emotional responses contributes to the overall sense of chaos and despair.
Behind this immediate scene of carnage, a figure stands on an elevated balcony, seemingly overseeing the events below. He is dressed in regal attire and holds a staff, suggesting a position of power and responsibility for the unfolding tragedy. This placement creates a visual hierarchy, implying that the violence is sanctioned or even instigated by someone of high status.
The architectural backdrop is notable for its rigid geometry and decorative elements. The use of arches and columns provides a sense of order and containment, which contrasts sharply with the brutality occurring within the space. Light plays an important role in highlighting key figures and emphasizing the emotional intensity of the scene. A golden glow emanates from behind the balcony figure, further separating him from the suffering below and reinforcing his elevated status.
Subtly, the painting explores themes of power, injustice, and the vulnerability of innocence. The contrast between the armored soldiers and the defenseless children underscores the abuse of authority and the devastating consequences of unchecked power. The mother’s desperate attempt to protect her child evokes universal feelings of parental love and loss. The figure on the balcony raises questions about culpability and the moral responsibility of those in positions of leadership. Ultimately, the work serves as a poignant commentary on human cruelty and the enduring pain inflicted upon the innocent.