Perugia Altarpiece – St Benedict of Nursia and St Lawrence Fra Angelico (1400-1455)

The composition presents two figures arranged vertically within narrow, rectangular frames, suggesting a diptych format. Both individuals are depicted in profile facing left, their gazes directed upwards with expressions of solemnity and serenity. The background is uniformly gold, typical of the period’s artistic conventions, which serves to emphasize the figures spiritual significance and elevate them from earthly concerns.
On the left, a figure clad in monastic robes – a dark cowl over a white tunic – holds a scroll or tablet inscribed with text. Emanating from the document are rays of light, symbolizing divine revelation or inspiration. The folds of the garment are rendered with meticulous detail, highlighting the artist’s skill in depicting fabric and texture. A red cushion is visible at the base of the frame, adding a touch of color and visual interest to the lower portion of the composition.
The figure on the right wears a simpler, golden-yellow robe, also draped with careful attention to its folds. This individual stands before what appears to be a stylized depiction of a gridiron – a rack used for torture – suggesting a narrative of martyrdom. The instrument is rendered in dark wood tones and contrasts sharply with the luminous gold background and the figure’s attire.
The figures postures are restrained, their hands held in gestures of reverence or acceptance. Their elongated faces and almond-shaped eyes contribute to an overall sense of idealized beauty and spiritual transcendence. The lack of a landscape or other contextual elements reinforces the focus on the individuals themselves and their symbolic roles.
Subtly, the pairing of these two figures suggests a juxtaposition of contemplative life (represented by the figure with the scroll) and sacrificial death (the figure before the gridiron). The shared verticality and similar poses create a visual harmony while simultaneously highlighting the distinct paths to spiritual fulfillment – one through intellectual pursuit and monastic devotion, the other through suffering and ultimate sacrifice. The gold background serves as an overarching symbol of divine grace that connects both figures despite their differing experiences.