Fra Angelico – 03 Annunciation with Saint Peter the Martyr
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Location: National museum of San Marco, Florence (Museo Nazionale di San Marco).
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Одетый бедно, без гроша в кармане
Он проходил вдоль монастырских стен.
Хоть будущего неизвестны грани,
Вдруг понял – не страшны ни смерть, ни тлен.
Он ощущал сейчас в душе сиянье,
В лучах его вставал волшебный сад.
И внутреннее светлое молчанье
Представилось наградой из наград.
Был пруд, спустился к раковине пруда,
Воды зеленоватой зачерпнул.
И осознал – со мной случилось чудо,
И в тихом упоении вздохнул.
О Господи! Мне ничего не надо –
Лишь это состояние верни.
И – да не отберут такого клада
Идущие в неведомое дни.
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Here we see two central figures: a young woman kneeling on a small wooden stool, and a winged figure approaching her. The woman’s posture conveys humility and reverence; her hands are clasped in front of her, and her gaze is directed towards the approaching figure. Her garments are rendered with delicate folds and subtle gradations of color, suggesting both modesty and an inner grace.
The winged figure stands slightly apart, his body angled toward the woman. His wings, partially visible, display a complex pattern of feathers, adding visual interest to the composition. The figure’s expression is difficult to discern definitively, but theres a sense of solemnity and perhaps gentle reassurance conveyed through his posture. A halo encircles his head, marking him as divine.
To the left of the scene stands another male figure, clad in dark robes with decorative detailing on the sleeves. He appears to be observing the interaction between the other two figures, his expression unreadable. A halo also surrounds his head, indicating a saintly status. The placement of this figure suggests a witness or intercessor within the unfolding narrative.
The architectural backdrop contributes significantly to the overall meaning. The arches create a sense of depth and perspective, while their repetitive nature reinforces the idea of a sacred space – a place set apart for divine encounter. The simplicity of the setting directs attention towards the figures themselves and the significance of their interaction.
Subtly, theres an interplay between earthly humility (represented by the kneeling woman) and celestial presence (embodied by the winged figure). The inclusion of the observing saint introduces a layer of contemplation – a reminder of human witness to divine events. The muted color palette and restrained composition contribute to a feeling of quiet reverence, suggesting a moment of profound spiritual significance.