17 Crucifixion with St Dominic Fra Angelico (1400-1455)

The composition presents a stark and formal depiction of a crucifixion scene. A central figure, presumably Christ, is suspended from a simple wooden cross dominating the visual field. The body exhibits a degree of anatomical detail, though rendered with a certain stylized quality characteristic of the period. Blood drips from the wounds, emphasizing the suffering endured. Above the head, an inscription – INRI – is visible, identifying the figure as Jesus of Nazareth, King of the Jews.
To the left of the cross stands a solitary figure in monastic garb. The individual’s posture suggests deep reverence and contemplation; hands clasped in prayer, head bowed. The shaved scalp and dark habit indicate membership within a religious order, likely Dominican based on stylistic cues. The positioning of this figure directly beneath the crucified Christ establishes a clear relationship between suffering and devotion.
The background is an even-toned wall, framed by a border composed of alternating bands of pale green and reddish-brown. This architectural setting creates a sense of enclosure and formality, distancing the scene from any naturalistic context. The limited palette contributes to the overall solemnity and austerity of the work.
Subtexts within this painting revolve around themes of sacrifice, faith, and intercession. The presence of the monastic figure suggests a model for piety and contemplation in the face of divine suffering. It implies that witnessing Christ’s agony can inspire profound spiritual reflection and devotion. The starkness of the composition and the lack of extraneous detail focus attention on the core religious narrative, emphasizing its symbolic weight over any anecdotal or emotional elements. The painting seems intended to evoke a sense of solemnity and encourage personal introspection regarding faith and redemption.