George Frederick Watts – #06176
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see an elaborate headdress adorned with what appear to be stylized floral elements or perhaps feathers, contributing to an air of regal solemnity. Wings, rendered in a manner that suggests both fragility and power, extend from her back, partially obscured by the surrounding glow. The wings are not fully formed; they seem to dissolve into the fiery background, hinting at a transition or a state of becoming.
The figure’s posture is significant. Her arm rests upon her shoulder, creating an impression of weariness or resignation. A heart-shaped emblem is visible on her chest, positioned prominently over her garment. Below this, a long horn lies across her lap, intertwined with what appears to be a length of red cord. The presence of the horn suggests a connection to heraldry, announcement, or perhaps divine communication – though its placement and the figure’s detached demeanor imply a reluctance or inability to fulfill such a role.
The color palette is dominated by warm tones – ochres, oranges, and browns – which contribute to the overall atmosphere of intensity and spiritual fervor. The application of paint appears loose and textured, with visible brushstrokes that add dynamism to the composition. This technique lends an ethereal quality to the figure, as if she exists within a dreamlike or otherworldly realm.
Subtly, the painting seems to explore themes of duty versus desire, divine responsibility weighed against personal feeling. The heart emblem could symbolize love, compassion, or perhaps even suffering. The horn’s presence and its passive placement suggest a deferred or relinquished power – a potential for action that remains unrealized. The fiery halo might represent both divine illumination and the consuming nature of obligation. Overall, the work evokes a sense of quiet drama and profound internal conflict.