#40989 Dario Urzay

The composition presents a fragmented arrangement of rectangular and square forms against a stark white background, bordered by thick black frames. The overall effect is one of deliberate disjunction and layered perception.
The largest area occupies the left side of the canvas. Here we see a deep, saturated red-brown hue dominating the space. Within this field, a circular form glows with an intense orange light, suggesting a distant sun or celestial body. A dense network of dark, indistinct shapes – possibly foliage or architectural elements – is subtly embedded within the reddish tone, creating a sense of depth and obscured narrative. The forms are not sharply defined; instead, they appear to be blurred or filtered, lending an atmospheric quality to the scene.
To the right of this primary area, another rectangular form continues the red-brown palette but introduces a vertical element – a series of parallel lines that resemble blinds or venetian shutters. These lines disrupt the visual flow and create a sense of enclosure or restriction.
A smaller square is positioned near the center, displaying an image with a more complex color scheme. Within this area, we observe a pattern of swirling greens, yellows, and browns, evoking a natural landscape – perhaps dense vegetation or a textured terrain. The image appears to be slightly out of focus, further contributing to the overall sense of ambiguity.
The deliberate placement of these disparate elements suggests a layering of experiences or memories. The obscured imagery within each form hints at hidden narratives, while the stark white background and black borders emphasize their isolation and independence. The work seems to explore themes of perception, memory, and the fragmented nature of experience. It resists easy interpretation, inviting viewers to construct their own meanings from the interplay of color, shape, and texture. The absence of a clear focal point encourages a more diffuse and contemplative engagement with the artwork.