Axel Jungstedt – In the Quarry. Motif from Switzerland
1886. 120×138
Location: National Museum (Nationalmuseum), Stockholm.
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Several figures are scattered across the foreground and midground, engaged in quarrying activities. They appear as men and boys, dressed in simple work attire – white shirts, trousers, and hats – indicative of a working-class existence. One figure is seated on a large rock, seemingly taking a brief respite from his labor; he holds a hat in his lap and gazes downwards, conveying an air of weariness or contemplation. Others are actively involved in breaking down the stone using tools such as picks and hammers. A wheelbarrow stands near one group, suggesting the transportation of extracted materials.
The artist’s use of light is significant. Sunlight illuminates portions of the rock face and the figures, creating a sense of depth and highlighting the physicality of their work. Shadows are cast across the quarry floor, adding to the overall realism and contributing to a feeling of enclosure within this man-made landscape.
Beyond the immediate depiction of physical labor, the painting evokes themes of human endurance and the relationship between humanity and nature. The scale of the rock face dwarfs the figures, emphasizing their vulnerability and the relentless nature of their task. There is an implicit commentary on the economic realities that necessitate such demanding work, particularly for younger individuals. The scene conveys a sense of quiet dignity in the midst of arduous toil; it’s not presented as exploitative or overtly sentimental, but rather as a straightforward observation of a specific social and geographical context.
The composition directs attention to both the individual figures and the larger environment they inhabit. The quarry itself becomes a symbol of industry and resource extraction, while the workers represent the human cost associated with such endeavors.