James Ward – The Midday Meal
c.1835. 19×29
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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To the right of the horses, two figures are seated near a low fence bordering a patch of dense foliage. The older figure, clad in loose-fitting garments, appears to be resting, while a younger individual, dressed in brighter colors, sits closer, seemingly engaged with something on the ground – perhaps food or small objects scattered around them. A dog lies nearby, adding to the domesticity of the scene.
The landscape itself is rendered with an emphasis on texture and light. The earth appears parched and dusty, suggesting a warm climate. A pool of water reflects the sky, providing a focal point amidst the otherwise earthy tones. The foliage in the background is loosely painted, contributing to a sense of depth and atmosphere.
Subtly, the painting conveys themes of sustenance and reliance on natures bounty. The horses are essential for labor, their well-being directly linked to the livelihood of those present. The figures’ relaxed posture suggests a moment of respite from demanding work, yet also hints at the cyclical nature of rural existence – a constant rhythm of toil and rest. The presence of the dog reinforces this sense of community and shared dependence on the land.
The overall impression is one of quiet dignity and resilience in the face of hard labor, portraying an intimate glimpse into a world governed by natural cycles and human connection to animals and the earth.