Jacques-Louis David – The Anger of Achilles
1819. 105x145
Location: Kimbell Art Museum, Fort Worth, Texas.
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Standing before him is a young woman, likely Briseis, a Trojan captive and war prize. She is dressed in a simple white garment, her hands clasped defensively over her chest and holding an olive branch, a symbol of peace or perhaps supplication. Her expression is one of sorrow and distress, her eyes downcast.
Behind Briseis stands another woman, possibly a goddess like Thetis (Achilles mother) or a queen like Hecuba of Troy, wearing a golden crown and a veil. Her face also conveys sadness and concern, her hand resting protectively on Briseis shoulder. On the far right, a bearded man in a red robe and with a stern expression, likely Agamemnon, the commander of the Greek forces, stands with a scepter. His posture suggests authority and perhaps defiance.
The background shows a tent and distant landscapes, suggesting a military encampment. The overall composition heightens the tension and emotional weight of the moment.
The subtext of the painting lies in the central conflict: Agamemnon has unjustly taken Briseis from Achilles, an act that deeply dishonors Achilles and fuels his rage. This insult leads Achilles to withdraw from the Trojan War, causing significant losses for the Achaeans. The painting captures the pivotal moment of this dispute, highlighting the emotional turmoil and the divine/royal mediation attempting to resolve the conflict between personal pride and military necessity. It speaks to themes of honor, pride, justice, and the devastating consequences of anger and conflict.