Rest of the Holy Family on the way to Egypt Petr Basin (1793-1877)

The composition presents a scene of familial repose within a landscape imbued with symbolic weight. A woman, presumably a mother, reclines on what appears to be a rolled-up cloak or blanket, cradling a small child in her arms. Her expression is one of gentle contemplation, and the child gazes directly outward, engaging the viewer’s attention. The womans garments are rendered in rich blues and pinks, contrasting with the earth tones of the surrounding environment.
To the right of the mother and child, a young boy stands, reaching towards a winged figure hovering above him. This figure, an angel, offers what seems to be fruit or a small object, suggesting divine provision or guidance. A sheep grazes nearby, adding a pastoral element to the scene. The boy’s posture conveys both eagerness and a degree of vulnerability.
The background is dominated by a vista of rolling hills leading towards distant pyramids, establishing a geographical context that hints at travel and displacement. The light source appears to originate from behind these structures, casting long shadows and creating a sense of depth within the landscape. A scattering of books and papers lies near the boy’s feet, possibly signifying learning or knowledge.
The paintings subtexts revolve around themes of protection, sustenance, and divine intervention. The presence of the angel suggests supernatural assistance during a period of hardship – implied by the journey itself. The pyramids in the distance serve as both a geographical marker and a symbolic representation of ancient civilization and perhaps, implicitly, the passage of time and enduring faith. The inclusion of the sheep evokes imagery of innocence and sacrifice. The mother’s calm demeanor amidst what is likely a challenging situation underscores themes of maternal strength and resilience. Overall, the work conveys a sense of quiet dignity and hope within a narrative of displacement and divine providence.