#22296 Lisa Milroy

The composition presents a grid of six meticulously rendered depictions of breakfast and lunch fare. Each panel is isolated against a neutral background, emphasizing the objects themselves through stark clarity and precise detail. The artist has employed a hyperrealistic style, capturing textures – the sheen of the burger bun, the gloss on the hot dog, the glistening surface of the fried egg – with remarkable fidelity.
The upper left quadrant displays a towering hamburger, layered with visible ingredients: lettuce, tomato, patty, and cheese, all nestled within a sesame-seeded bun. Adjacent to it, we see an oval dish divided into two distinct halves – one filled with rice, the other with dark red beans. A small portion of what appears to be pink sauce and a relish are presented alongside.
The middle row features a plate laden with breakfast staples: bacon strips, sausages, fried egg, and toast accompanied by baked beans. To its right is a solitary hot dog, encased in a bright red bun. The lower left panel showcases a baked potato topped with what appears to be sausage meat, cheese, and an egg, set against a vibrant red cloth. Finally, the bottom right quadrant presents a plate of sausages served alongside a bed of yellow noodles.
Beyond the straightforward representation of food, the work suggests commentary on consumerism and abundance. The almost clinical precision in depicting these commonplace items elevates them to objects of scrutiny, prompting reflection on their cultural significance and perhaps even questioning the nature of desire and satisfaction derived from readily available goods. The uniformity of presentation across all panels creates a sense of detachment, as if these meals are specimens under observation rather than sustenance for enjoyment. Theres an underlying tension between the appealing visual quality of the food and the somewhat sterile context in which it is presented, hinting at a critique of modern eating habits or the commodification of everyday experiences.