#44732 August Macke (1887-1914)

The drawing presents two figures in profile, positioned closely together and overlapping significantly. The artist employed a fragmented approach, breaking down facial features and forms into angular planes and sharp lines. This technique creates a sense of distortion and instability, moving away from traditional representational accuracy.
Here we see the faces rendered with an emphasis on geometric shapes – the nose is reduced to a series of intersecting angles, the eyes are simplified to stark outlines, and the mouths appear as compressed forms. The use of hatching and cross-hatching contributes to the overall textural complexity and reinforces the fractured quality of the composition.
The figures’ proximity suggests intimacy or perhaps conflict; their faces are turned in similar directions, yet a palpable tension exists within the arrangement. The overlapping creates ambiguity regarding spatial relationships – it is unclear whether they are standing side by side or if one figure is positioned directly in front of the other. This lack of clarity contributes to an unsettling atmosphere.
The background appears minimal, consisting primarily of more angular lines that echo and amplify the fragmentation seen in the figures’ faces. The absence of a defined setting further isolates the subjects, directing focus entirely on their interaction or shared experience.
Subtly, the drawing seems to explore themes of psychological complexity and fractured identity. The deconstruction of form could be interpreted as a visual representation of inner turmoil or a questioning of conventional notions of selfhood. The stark contrast between light and shadow enhances the dramatic effect, adding depth and emotional weight to the scene. Overall, the work conveys a sense of unease and introspection through its unconventional rendering and deliberate disruption of traditional portraiture.