Ramon Casas i Carbo – Barcelona 1902
1902. Woodcut After a painting by Ramon Casas
Location: Moderne Kunst in Meisterholzschnitten, Berlin
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The rider is clad in dark attire, a long coat draped over his shoulders, and carries what appears to be a weapon – a lance or spear – pointed downwards. His posture conveys authority and perhaps aggression; he seems to be actively dispersing or suppressing the crowd. The horse itself is rendered with considerable detail, its musculature suggesting power and control.
In the immediate foreground, a figure lies prone on the ground, seemingly having fallen in the chaos. This individual’s vulnerability contrasts sharply with the imposing presence of the rider and the sheer scale of the gathering behind him. Scattered debris – possibly discarded objects or even bodies – litter the ground around the fallen man, further emphasizing the disorder and violence of the event.
The background depicts a cityscape characterized by industrial architecture: tall chimneys belch smoke into the sky, suggesting an urban environment undergoing rapid modernization and potentially facing social tensions. The buildings are rendered with less detail than the foreground figures, creating a sense of distance and reinforcing the focus on the immediate conflict.
Subtly, the work seems to explore themes of power dynamics, societal unrest, and the suppression of dissent. The anonymity of the crowd suggests a loss of individual identity within larger social movements. The fallen figure embodies vulnerability and perhaps sacrifice in the face of authority. The industrial backdrop hints at underlying economic or political factors contributing to the depicted turmoil. Overall, the painting conveys a sense of unease and impending conflict, prompting reflection on the fragility of order and the potential for societal breakdown.