#45871 Antonio Bisquert

The composition presents a cityscape rendered in a deliberately fragmented and simplified style. Here we observe a tall, pointed structure dominating the visual field; its form suggests a spire or tower, likely associated with a religious building given its verticality and architectural details. The artist depicted this central element in muted ochre tones, subtly illuminated as if by diffused light.
Below the spire, a cluster of buildings is suggested through blocks of color – predominantly red and orange – representing rooftops and facades. These forms are not delineated with precision; instead, they merge into one another, creating an impression of density and urban sprawl. A horizontal band of dusky pink and grey defines what appears to be a distant skyline or atmospheric haze, further compressing the depth within the scene.
The application of paint is characterized by broad strokes and visible texture. The artist seems less concerned with precise representation than with conveying a sense of atmosphere and emotional resonance. Color plays a crucial role; the warm hues of the buildings contrast with the cooler tones of the background, creating a visual tension that contributes to the overall mood.
Subtly, there is an underlying melancholy present in this work. The simplification of forms and the muted palette evoke a sense of isolation or perhaps even loss. The towering structure, while visually prominent, appears somewhat detached from its surroundings, suggesting a disconnect between the spiritual and the mundane. The lack of human figures reinforces this feeling of solitude.
The signature at the bottom right corner indicates the artist’s name and the year of creation (1934), providing a temporal context for the work. This date places it within a period marked by significant social and political upheaval, which may have influenced the paintings somber tone and its focus on architectural forms as enduring symbols amidst change.