Season Diane Dillon

The artwork presents a stark visual narrative against a warm, ochre-colored background framed by a decorative border. Here we see two distinct figures dominating the composition, separated but engaged in a dynamic interaction.
On the left, a humanoid figure is depicted in profile, seated with one leg drawn up and the other extended. The individual’s posture conveys a sense of defiance or resistance; an arm is raised in what appears to be a gesture of challenge or aggression. The face is rendered with sharp, angular features, emphasizing a determined expression. A complex pattern of parallel lines covers the figures body, creating texture and visual interest while also potentially suggesting layers of identity or experience.
To the right, a monstrous creature confronts the humanoid figure. This being possesses exaggerated features – elongated snout, prominent teeth, and large ears – evoking a sense of primal ferocity. The creature is positioned in a dynamic pose, seemingly lunging forward with one arm raised as if to strike. Its body is also covered in a pattern of parallel lines, echoing the design on the humanoid figure but perhaps signifying a different kind of burden or constraint.
The color palette is limited to shades of black and purple layered over the background hue, contributing to the work’s dramatic impact. The stark contrast between light and dark amplifies the tension inherent in the scene. The figures are rendered with flat planes and minimal shading, lending them a graphic quality reminiscent of woodcut prints or shadow puppets.
The inscription AND A TIME TO HATE; positioned at the bottom center, provides a crucial layer of interpretation. It suggests that the depicted confrontation is not merely a physical struggle but also an expression of deep-seated animosity and conflict. The work seems to explore themes of oppression, resistance, and the cyclical nature of violence. The mirroring patterns on both figures might imply a shared condition or a complex relationship between aggressor and victim, challenging simplistic notions of good versus evil. Ultimately, the artwork invites contemplation about the roots of hatred and the enduring human struggle against adversity.