Season Diane Dillon

The composition presents a densely populated scene rendered in a stylized, flattened perspective reminiscent of ancient mural traditions or folk art. The figures are arranged across the canvas with little sense of depth; they appear as cut-out shapes layered upon one another. A predominantly white background serves as a stark contrast to the vibrant palette of ochre, brown, green, and touches of blue and red used for the figures’ garments and decorative elements.
Here we see several individuals engaged in what appears to be a ritualistic or ceremonial activity. On the left side of the canvas, two men are depicted throwing stones upwards; these stones are scattered across the foreground, suggesting an act of release or rejection. A woman stands between them, her posture conveying a sense of participation and perhaps even leadership. Her patterned dress features geometric motifs that echo those found on other figures’ attire and in the architectural elements.
The central portion of the painting is dominated by a figure wearing an elaborate headdress adorned with what appear to be stylized representations of feathers or foliage. This individual seems to be presiding over the scene, possibly acting as a conductor or facilitator of the ritual. To their right, another figure raises their arms in a gesture that could signify offering, praise, or supplication.
The upper portion of the composition features abstract architectural forms – angular structures rendered in shades of brown and ochre – which may represent buildings or ceremonial platforms. A smaller figure is positioned atop one of these structures, seemingly observing the events below. The vegetation depicted along the right edge adds a touch of naturalism to the otherwise geometric rendering.
The inscription at the bottom, A Time to Cast Away Stones, provides a crucial interpretive key. It suggests that the actions depicted are symbolic – an act of purification, forgiveness, or letting go of burdens. The stones themselves likely represent negativity, regret, or obstacles being discarded.
Subtly, the painting explores themes of community, ritual, and transformation. The stylized figures and flattened perspective contribute to a sense of timelessness, suggesting that these actions are part of an ongoing cycle of renewal. The vibrant colors and dynamic composition evoke a feeling of energy and optimism despite the underlying theme of release or rejection. The overall effect is one of controlled chaos – a carefully orchestrated display of symbolic action within a defined space.