Jacob Bouttats – Genesis Cycle: Separation of Day and Night
end of the 17th century. 98×75 cm, oil on copper
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Below the figure lies a lush, verdant landscape. Dense foliage dominates the foreground, transitioning into rolling hills and distant mountains that recede towards a hazy horizon line. A small body of water, likely a stream or river, meanders through the lower left corner, adding depth to the scene. The vegetation is rendered with considerable detail, exhibiting a variety of textures and shades of green.
Above, the sky occupies a significant portion of the canvas. It’s not depicted as uniformly blue but rather as a complex interplay of grey and pale hues, suggesting twilight or an ambiguous transitional state. Numerous stars are scattered across this celestial backdrop, along with what appear to be constellations – a crescent moon is visible in the upper right corner. A luminous band stretches diagonally across the sky, emanating from behind the central figure, further emphasizing his role as a source of light and order.
The painting’s subtexts revolve around themes of creation and separation. The act of raising arms could symbolize the division of primordial chaos into distinct realms – day and night, as suggested by the context. The landscape itself represents the newly formed earth, teeming with life. The celestial elements – stars and constellations – indicate a structured cosmos brought into being.
The ambiguous lighting conditions contribute to an atmosphere of transition and nascent order. It is not a bright, fully realized daylight but rather a moment of emergence from darkness. The figure’s posture suggests agency and control over this unfolding process. The overall effect is one of awe-inspiring power and the establishment of fundamental cosmic principles.