Jacob Bouttats – Cycle of Genesis. 11. The Offerings of Cain and Abel
~1700. 98×75 cm, paint on copper
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In the foreground, two figures kneel before separate altars. The man on the left, presumably Cain, displays an expression of frustration and despair, his head bowed and hand raised as if in protest or bewilderment. His altar is laden with fruits and vegetables, arranged somewhat haphazardly. A small fire burns beneath it, producing a thin plume of smoke that dissipates into the atmosphere.
To the right, Abel kneels before an altar constructed from rough-hewn stones. He appears serene and devout, his hands clasped in prayer as he presents a sacrifice of livestock – sheep are gathered nearby, suggesting their role in the offering. A more substantial fire burns beneath his altar, sending up a thick column of smoke that is directly embraced by the divine light emanating from above.
The landscape itself contributes to the symbolic meaning. The left side, associated with Cain, is characterized by dense foliage and a darker palette, conveying a sense of enclosure and potential turmoil. Conversely, the right side, linked to Abel, opens up into a broader view, bathed in softer light and suggesting prosperity and divine favor. A small group of figures can be seen further back on this side, seemingly observing the events unfolding.
The artist’s use of perspective draws attention to the central conflict: the differing fates of the two brothers. The dramatic lighting and contrasting landscapes underscore the disparity between their offerings and the divine response. The inclusion of the celestial figure reinforces the notion of a higher power judging their actions, adding a layer of theological significance to the scene. The overall effect is one of profound solemnity, exploring themes of sibling rivalry, faith, and divine judgment within a meticulously rendered natural setting.