!pa KenDone Index Ken Done

The presented visual material showcases a calendar from 2002, featuring twelve individual artworks arranged in a grid format alongside a portrait of the artist. The overall aesthetic is characterized by vibrant color palettes and a simplified, almost childlike rendering style.
The portrait positioned at the upper left depicts the artist holding a paintbrush, suggesting an emphasis on his creative process and personal connection to the works displayed. The title Ken Done and “Flower Calendar 2002” are prominently featured above the grid, establishing the context of the presentation.
Each miniature painting within the calendar presents a floral subject matter. The compositions vary in their approach; some, like Thinking About Sunflowers, feature solitary blooms against a plain background, while others, such as “Pond with Irises,” incorporate more complex arrangements and environmental elements. 80 Flowers stands out due to its dense, almost abstract composition of numerous floral forms arranged in a patterned grid. The use of bold outlines and flattened perspectives is consistent across all the miniature paintings, contributing to a sense of immediacy and accessibility.
The color choices are particularly noteworthy. Intense yellows, reds, pinks, and blues dominate, creating a visually stimulating experience. Theres an intentional avoidance of subtle shading or realistic representation; instead, colors appear as blocks of pure hue, enhancing the decorative quality of the works.
Subtly, the calendar suggests a celebration of nature’s beauty through a lens of optimistic simplicity. The consistent style and subject matter imply a deliberate effort to create a cohesive visual narrative throughout the year, potentially intended to evoke feelings of joy and appreciation for floral forms. The arrangement as a calendar also implies a cyclical return to these themes, reinforcing the idea of enduring natural beauty.