Portrait of architect A. Y. Beloborodov Zinaida Serebryakova (1884-1967)

The portrait presents a man in a three-quarter view, seated and gazing directly at the viewer. He is positioned slightly off-center, creating a dynamic asymmetry within the composition. The artist employed a muted palette dominated by earthy tones – browns, ochres, and grays – which contribute to an overall sense of subdued elegance and introspection.
The man’s attire suggests a certain level of professional standing; he wears a tailored suit jacket over a collared shirt and tie. A cigarette is held delicately between his fingers, the smoke curling upwards, adding a touch of nonchalance and perhaps hinting at a contemplative nature. The hand holding the cigarette is rendered with considerable detail, highlighting the artist’s skill in depicting texture and form.
Behind him, indistinct shapes suggest an interior space – possibly a study or library – indicated by vertical forms that could be bookshelves. These are blurred and lack sharp definition, serving to focus attention on the subject himself rather than his surroundings. The background is rendered with loose brushstrokes, creating a sense of depth without distracting from the central figure.
The man’s expression is complex; theres an air of quiet confidence combined with a hint of melancholy or perhaps weariness in his eyes. His mustache and neatly trimmed hair contribute to a cultivated appearance. The lighting appears to be soft and diffused, minimizing harsh shadows and creating a gentle illumination across his face.
Subtly, the portrait conveys a sense of intellectualism and refinement. The cigarette could symbolize creative energy or a moment of respite from professional demands. The overall impression is one of a man who is both accomplished and burdened by thought – a figure of quiet authority engaged in private reflection.