Zinaida Serebryakova – Self-portrait
1956
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 2 Ответы
Замечательно выглядит! А ведь ей тут уже 72...
Серебрякова родилась в 1884, выходит здесь ей 72, неплохо выглядела.
You cannot comment Why?
The artist depicted themselves with short, dark hair parted in the middle, framing a face marked by subtle lines and a gentle smile. The expression conveys a sense of quiet confidence and introspection rather than overt exuberance. The skin tones are rendered with a nuanced palette, avoiding harsh outlines and contributing to an overall impression of naturalism.
Below the figure lies a wooden artists palette, heavily laden with dried paint in hues of orange, red, and yellow. A small glass jar containing what appears to be solvent or medium sits atop the palette alongside several brushes arranged haphazardly. These elements are not merely props; they serve as direct indicators of the subject’s profession and creative process. The placement of the palette so close to the viewer suggests an immediacy and a willingness to reveal the tools and materials essential to their craft.
The paintings color scheme is dominated by cool blues and greens, balanced by the warmth of the palette. This contrast creates visual interest and contributes to the overall mood of contemplative serenity. The brushwork appears loose and expressive, characteristic of a painterly approach that prioritizes capturing the essence of the subject over meticulous detail.
Subtlety permeates this work. The absence of any specific setting or identifying markers encourages viewers to focus on the individuals character and presence. The direct gaze establishes an intimate connection with the observer, inviting speculation about the artist’s inner world and their relationship to their art. The inclusion of the palette and brushes is not simply descriptive; it functions as a symbolic representation of artistic identity and dedication.