Zinaida Serebryakova – Menton. View from the harbor of the city
1930
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
* * *
От гавани всё выше, вверх
стремится город – к завершенью
собором – будто к постиженью
небесной воли – коль отверг,
то невозможно ничего.
Теснятся крыши колоритно.
А может город – как молитва?
её святое торжество...
You cannot comment Why?
Here we see several small boats moored in the foreground, their masts creating a network of diagonal lines that intersect with the horizontal plane of the water. The reflections of these vessels, along with the indistinct outlines of buildings on the opposite shore, blur the distinction between surface and depth, contributing to an overall sense of atmospheric perspective.
The town itself is characterized by tightly packed structures culminating in a prominent bell tower which acts as a visual anchor for the composition. Dense vegetation – likely Mediterranean foliage – clings to the hillside, softening the harshness of the built environment and suggesting a symbiotic relationship between nature and human settlement. The artist has rendered these elements with loose brushstrokes, prioritizing an impressionistic rendering over precise detail.
The overcast sky contributes significantly to the painting’s mood; it diffuses light evenly across the scene, eliminating strong contrasts and creating a sense of quiet contemplation. There is a certain melancholy conveyed through this subdued lighting and limited color range. The absence of human figures further reinforces this feeling of solitude and stillness.
Subtly, the work suggests themes of transience and observation. The boats, seemingly at rest, imply journeys undertaken or yet to begin. The town, viewed from afar, evokes a sense of distance and perhaps even longing. It is not merely a depiction of a place but rather an exploration of atmosphere and emotional resonance – a moment captured in time, imbued with a quiet dignity.