Zinaida Serebryakova – Alexander in carnival costume
1952
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
На женщину похож
You cannot comment Why?
In the figures right hand, a single white glove is held, its pristine quality contrasting sharply with the darker tones of the surrounding garments. This detail introduces an element of formality and perhaps even a hint of playful irony – a gesture both elegant and slightly absurd within the context of carnival revelry. The background is indistinct, rendered in muted browns and ochres that serve to isolate the figure and focus attention on the costume and facial expression.
The subtexts embedded within this depiction are multifaceted. The elaborate disguise suggests an exploration of identity and social roles; the anonymity afforded by the costume allows for a temporary suspension of societal expectations. The direct gaze, however, undermines complete concealment, hinting at a self-awareness that transcends the superficiality of the masquerade. Theres a sense of controlled amusement in the subject’s expression – not outright laughter, but a knowing acknowledgement of the artifice surrounding them.
The painting seems to probe themes of performance and perception, questioning the boundaries between public persona and private self. The single glove, presented as an almost symbolic prop, could be interpreted as representing both refinement and detachment – a gesture that is simultaneously graceful and aloof. Ultimately, the work invites contemplation on the nature of identity and the ways in which we choose to present ourselves to the world.