Zinaida Serebryakova – Water carrier Morocco
1928
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a palette dominated by earthy tones – ochres, browns, and muted greens – interspersed with touches of red in the turban wound around his head and hints of blue in the distant sky. The application of pastel is vigorous; strokes are visible, contributing to a textural richness that emphasizes the physicality of both the subject and the environment. Light falls across the man’s face and upper body, highlighting the contours of his features and suggesting a source from above.
Behind him, a landscape unfolds – a low horizon line punctuated by palm trees and distant hills rendered in soft washes of color. The background is less detailed than the foreground figure, serving to isolate him and emphasize his presence. A body of water, perhaps a well or reservoir, is suggested by the blue tones near the horizon.
Beyond the straightforward depiction of a man performing a daily task, the drawing seems to explore themes of labor, identity, and cultural representation. The subject’s posture and expression suggest resilience and self-possession, challenging stereotypical portrayals often associated with colonial contexts. The artists choice to focus on an individual rather than a sweeping panorama implies a desire to acknowledge the humanity and individuality of those whose lives are frequently marginalized or viewed through a lens of otherness.
The drawing’s loose style and expressive use of color contribute to a sense of immediacy and intimacy, inviting contemplation about the subjects life and experiences within his cultural context. The work avoids sentimentality, instead presenting a portrait that is both respectful and observant.