Zinaida Serebryakova – Self-portrait
1922
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist’s posture conveys a sense of focused intensity. Her left hand rests gently upon a table, while the right appears poised for action, suggesting a deliberate engagement with her craft. The loose, expressive lines used in the drawing emphasize movement and fluidity, preventing the figure from appearing static or rigid. A palpable energy emanates from the brushstrokes, particularly noticeable around the hair and clothing of the central figure.
The background is deliberately ambiguous, constructed from broad washes of color that evoke a studio setting without offering specific details. The smaller image behind her – a mirror reflection perhaps – introduces an element of self-scrutiny and artistic dialogue. It suggests a consideration of form, perspective, or even a questioning of the artist’s own representation.
Scattered around the table are various tools associated with artistic practice: brushes, pencils, and other implements. These objects reinforce the context of creation and underscore the artists dedication to her work. The arrangement feels less like a formal display and more like an intimate glimpse into a working space.
The overall effect is one of quiet contemplation and professional self-awareness. Here we see not just a portrait but also a visual exploration of the creative process itself, hinting at the complexities inherent in artistic representation and the artist’s relationship to her subject matter. The subdued palette and loose rendering contribute to an atmosphere that feels both personal and universally relatable – a moment captured within the solitude of creation.