Michelangelo Cerquozzi (Attributed) – Landscape with Ruins and a Saddled White Horse
33×39
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The architectural element – a crumbling wall with an arched opening – provides a backdrop and establishes a sense of decay and abandonment. Through this archway, a distant landscape is faintly visible, hinting at a world beyond the immediate confines of the ruin. The foliage above contributes to the overall atmosphere of enclosure and seclusion.
A notable characteristic of the painting is its dramatic use of chiaroscuro – the stark contrast between light and dark. This technique not only enhances the three-dimensionality of the horses but also directs the viewers attention towards specific areas, particularly the white horse’s form and the distant landscape. The limited palette, primarily consisting of browns, grays, and blacks, reinforces the somber mood.
Subtextually, the presence of the saddled horse suggests a narrative – perhaps interrupted travel or a moment of respite before an unknown journey. The ruins themselves evoke themes of transience, loss, and the passage of time. They stand as silent witnesses to a forgotten history, their decay contrasting with the vitality of the animals present. The figure tending to the horses could be interpreted as a caretaker, a shepherd, or even a symbolic representation of human interaction with nature and its cycles.
The painting’s overall effect is one of quiet contemplation, inviting viewers to ponder the stories embedded within this evocative scene of ruin and animal presence.